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Canada’s Allison Crowe here performs “Tarry Trousers” - an addictively lovely version of a traditional tune with history on both sides of the Atlantic since the 1800s.

“Tarry Trousers” is one of the songs she’s arranged and curated for inclusion in this Summer’s Gros Morne Theatre Festival line-up - and the third incarnation of a rollicking hit show, “Newfoundland Vinyl”, conceived by Theatre Newfoundland and Labrador’s Artistic Director Jeff Pitcher.

TNL produces GMTF, an annual festival situated in a supremely gorgeous location, Cow Head, NL — Gros Morne National Park (an UNESCO world heritage site on the isle of Newfoundland’s west coast).

TNL’s latest newsletter contains info on the upcoming Gros Morne Theatre Festival and TNL’s Youth Theatre productions. Here, it describes the show musically directed by Allison Crowe and brought to life by the fabulous and fun cast that performs in 2014:

“Newfoundland Vinyl” is back! And this time it’s “The “C” Side”. Allison Crowe has made this show into a perennial Festival favourite. The vinyl Newfoundland hits of the 1960’s, 70’s and 80’s by Newfoundland’s biggest recording stars are never - ending. From Harry Hibbs’ “The Wild Rover” to Eddy Coffey’s “Area Code 709” to Cory & Trina’s “Northern Lights of Labrador” Allison manages to lay bare the simple and beautiful melodies and lyrics of our most talented artists, featuring the wonderful talents of Stephanie Payne, Amelia Manuel, Claire Hewlett, Colin Furlong, Marquita Walsh, Craig Haley and Keelan Purchase.

And, of course, Ed!

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http://www.theatrenewfoundland.com/wordpress/wp-content/uploads/newsletter-winter-2014.pdf

Silence" - a song first heard on Allison Crowe’s "This Little Bird" album - is performed by her in “Corner Brook Café” – the very popular Rogers Television show hosted by veteran Producer Wendy Woodland and filmed by lensman Editor Michael Rigler (MrShadowySouls) in Crowe’s home of Corner Brook, Newfoundland, Canada.

Threshold” visual processing’s chosen here by the duende of the music.

Allison Crowe performs live - “Disease” – coast-to-coast ‘cross Canada. Concert footage filmed by Peter Buckle and crew in Corner Brook, Newfoundland with audio captured by Larry Anschell and Turtle’s co-engineer Brad Graham in White Rock, British Columbia.

Full performance video coming soon to Allison Crowe’s facebook, Vimeo, YouTube + pages.

Tonight, at the Banff Centre, a cultural beacon alight in the majestic Rocky Mountains since 1933, Canada’s amazing Royal Winnipeg Ballet presents an exciting and inspiring mixed program of dance from three exceptional choreographers: “Quantz by Quanz” (Peter Quanz); “The Doorway” (Jorden Morris); “Pas D’Action” (Brian Macdonald).

The Doorway: Scenes from Leonard Cohen”, choreographed by Jorden Morris, lattices interviews/spoken word recordings, along with: “The Letters" performed by Leonard Cohen and Jennifer Warnes for the CD "Dear Heather”; “Bird on a Wire" as recorded by Adam Cohen for the compilation “A Song for My Father”; "Hallelujah" – the “Tidings” album recording by Allison Crowe; “Since You Asked”, a poem composed by Judy Collins and recited by Leonard Cohen from the CD “Born to the Breed”; and “Sisters of Mercy" recorded live by iconic US singer-songwriter Cris Williamson on the CD "Circle of Friends”.

The RWB was the first company anywhere in the world to stage a production melding works of the Montreal-born singer-songwriter, musician, poet, and novelist – presenting “The Shining People of Leonard Cohen”, with choreography by Brian Macdonald, in 1970. Choreographer Jorden Morris’ “The Doorway” opened in 2012 and, again, represents a company uniquely in tune with the zeitgeist.

Cohen, at age 79, is today enjoying universal appreciation of his works. “Hallelujah” is a much-loved modern standard. His recordings, from “Suzanne” to “The Darkness”+, remain as popular now as the day of their release. A key to such timeless appeal was revealed some years back - when asked by an interviewer about the impact of commercialization, the songwriter explained:

“Well, each person here at this table is a victim of the commercialization of life. I’m sure I haven’t escaped. But I can say one thing - I have been tempted by the money. I have been tempted by the glory… I don’t think there is any man that can escape those temptations. But I feel that I have not put out any songs that were designed to exploit the commercial market.”
Allison Crowe’s first release of “Hallelujah” was over ten years ago – http://music.allisoncrowe.com/track/hallelujah - and, it, too, has continued to increase in resonance since the “Tidings” EP of 2003. Here, in video form, Allison performs Cohen’s song - captured in real-time by film director Alex Postowoi and crew and audio engineer Larry Anschell at Turtle Recording by-the-sea in White Rock, BC, Canada. (As with recent Beatles’ interpretations from this same live-in-the-studio session, this is in higher-fidelity than has been previously available.)

Man of Steel” director Zack Snyder discusses action of the newest Superman movie shot inside the historic Cassidy Inn pub on Vancouver Island, BC. Allison Crowe, in a role very familiar to the Canadian musician, appears in this scene with Henry Cavill (Clark Kent / Superman), Ian Tracey (Ludlow), Carmen Lavigne (Chrissy), Howard Siegel (Weaver) and other members of the cast – actors whom it was a delight to meet and an honour to work alongside. Same goes for the privilege of working with the film’s amazing crew and production team - a stellar family of professionals united in creativity.

The Blu-Ray edition of “Man of Steel” released in late 2013, includes a feature called “Journey of Discovery”. Zack Snyder and many of the people involved walk us through the making of MoS from pretty much every angle. It’s extraordinary, and, rather than taking away from the movie magic – the explanations of how the science fiction epic came together leave you more enthralled. It’s super – and fun: http://www.youtube.com/watch?v=cKhcg6tLYLY

“Beatlemania, as it is called, affects all social classes and all levels of intelligence,” The New York Times reported in December 1963.

We’ll hear all manner of takes on similar themes over the coming month, with this February 7 marking the 50th anniversary of The Beatles landing at JFK International (New York City’s Idlewild airport rechristened on December 24, ’63 in tribute to the recently assassinated US President). The group’s appearances on The Ed Sullivan Show – broadcast over the three succeeding Sundays - electrified a new continent.

Plenty came before, and much has happened since, Pan Am Flight 101 delivered the Fab Four aboard a Boeing 707-331, known as the Clipper “Defiance”, to a world ready for joy and release.

Celebrating the musical legacy of John, Paul, George and Ringo – here’s Allison Crowe performing “In My Life” – captured in real-time by film director Alex Postowoi and crew and audio engineer Larry Anschell at Turtle Recording studios by the sea in White Rock, BC, Canada.

(This is an higher-fidelity video recording than has been previously available!)

And, here’s another performance of the song by Allison – recorded, audio-only, at Turtle a couple of years earlier: http://music.allisoncrowe.com/track/in-my-life

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